My stepmother called just as the day was folding into evening, her voice dripping with a satisfaction so sharp I could almost see the smile stretching across her face. She told me, with deliberate precision, that I would never set foot in the family beach house again—that every lock had already been changed.

Underneath them, in another box, were photo albums. Not the serious archival kind. The cheap sticky-page albums from drugstores, edges yellowing, captions in my mother’s handwriting. Me with missing teeth. My father younger, laughing on the porch with a lobster pot balanced on his shoulder. My mother in a red sweater holding me wrapped in a towel after a stormy beach day. Ordinary proof. The kind Diana would never understand because it had no resale value and all the real value in the world.

I sat on the concrete floor of the unit and laughed until I cried.

Not because it was funny. Because after two days of being told, implicitly or explicitly, that memory was excessive and sentiment impractical, here was the physical evidence that I had not imagined the scale of what Diana wanted gone. She had not merely redecorated. She had been curating erasure.

I spent the rest of the afternoon moving everything back to the house in multiple trips, borrowing a utility dolly from the storage office and ignoring the curious glances of the teenage attendant, who probably assumed I was deep in some vintage-resale project rather than excavating a family war.