Sasha Wellington had an apartment in Brickell, a Pilates body, and a talent for making very poor decisions in excellent jewelry. Once served with a federal inquiry and shown the expense accounts linking her “consulting retainers” to marital asset concealment, she became cooperative in the way certain glamorous women do when the alternative is prison and a bad article in the Post.

She had not known everything.

But she had known enough.

I sat for one deposition in person and watched her explain, in a silk blouse the color of seafoam, how Keith had once laughed about “keeping the artist on a diet” so she’d sign faster.

That was the only moment in the whole legal process I nearly threw up.

Not because the phrase was new.

Because hearing it from another woman’s mouth made it sound exactly as ugly as it had always been.

I took to painting again during those months, not out of inspirational healing but because rage needed somewhere to go if it wasn’t allowed to become self-destruction.