She glanced back at me, expression unreadable in that old familiar way. Then, more softly: “I was hoping you might help.”
“With law?”
“With women,” she said. “And art. And speaking. And building a place where people stop mistaking financial sophistication for emotional safety.”
I folded my arms.
“You want me in your empire.”
“No,” she said. “I want to build something with you that neither of us would have known how to make before all this.”
That sat between us for a while.
Then I said, “We call it the Grace Foundation and everyone assumes it’s about me, and I can’t endure that.”
My mother’s eyes gleamed. “I assumed you’d say something tiresome like that.”
“So?”
She looked at the painting and then back at me.
“Then we call it the Iron Gavel Foundation and terrify everyone equally.”
I laughed. A full, clean laugh that made two remaining gallery assistants turn and smile as if glad someone in the room had remembered joy was a permissible register.
“Deal,” I said.
That was three years ago.