“What the hell?” she says, already offended. “What are you doing here?”
I don’t answer.
I keep walking.
I climb the stairs to the main deck slowly, not because I’m trying to dramatize it, but because I have waited too long for this moment to rush through it now. Each step feels deliberate. Each one sounds out the end of a certain kind of silence.
By the time I reach the top, my mother has emerged from the house holding a glass of white wine. Her face runs through several emotions so quickly they nearly overlap: confusion, irritation, disbelief, then something much more interesting—fear.
“Skyla,” she says sharply. “You need to leave. Right now. You are not welcome here. This is our vacation rental.”
I stop.
I look at all of them.
My father inside, half-standing now, uncertain whether to approach or disappear.
Kyle with beer in hand, looking like someone shoved him into a scene halfway through without explanation.
Bridget furious already because performance requires an audience and I have arrived to seize the lighting.
Dylan trying to calculate whether involvement is worth it.
My mother, in my house, on my deck, telling me I am unwelcome.
Then I say, very evenly, “Your vacation rental.”