I drove to Dayton that afternoon. The house looked smaller than I remembered, the way things always look smaller when you return to them with different eyes. The porch leaned to the left. The shutters had faded past any identifiable color. The backyard where he had burned my belongings was visible from the driveway: patchy dead grass, the ring of the fire barrel still faintly visible as a slightly darker circle in the soil.

I set my phone on the hood of my truck and took a photograph. Then I called him.

He answered on the fourth ring, his voice older but the edge still in it.

“What.”

“Check your mailbox,” I said.

Then I hung up.

I printed the photo at a drugstore on the way out of town and dropped it into an envelope with no note, no threat, no explanation of any kind. Just the image: me standing in front of the house, keys in my right hand, expression flat. A statement of fact. Not a performance.