As they turned away, Eleanor caught Victoria’s gaze drifting toward the antique vase collection in the corner cabinet, then to the bronze sculpture near the window, then to Richard’s watch case on the study wall. The woman was grieving nothing. She was appraising.

Later that night, when the last mourner had gone and the penthouse fell into a silence so complete Eleanor could hear the wind pressing against the windows, she went into the bedroom she had shared with Richard for more than four decades.

His robe still hung on the bathroom door.

His reading glasses still sat on the nightstand.

The bed, too large now, had not been slept in.

Eleanor stood before the oil portrait of Richard that hung beside the fireplace. It had been painted when he was sixty-one, before illness had reduced him, before pain had carved his face into something ghostly. In the painting, he looked amused, as if the artist had asked him to look serious and Richard had refused.

Behind the portrait was a wall safe.

Her hands shook as she entered the code.

Inside, beneath legal copies and a velvet box containing her mother’s pearls, was an envelope with her name written in Richard’s hand.

My dearest Eleanor.