The office occupied the corner of the building, three walls of windows framing Manhattan in cold blue winter light. The skyline stretched behind me like evidence. On the far wall hung an original Basquiat I had bought anonymously at auction before my thirtieth birthday. To the right, low shelves held deal tombstones, first editions, and a bronze sculpture from a Korean artist I admired. The desk was custom walnut and stone, large enough to intimidate without descending into caricature. On it sat exactly what needed to sit there and nothing more.
On the frosted glass behind the reception area outside, in discreet black lettering, were the words:
VIVIAN ASHFORD
CHIEF EXECUTIVE OFFICER
He looked at the letters first. Then at me. Then at the skyline. Then back at me, as if rearranging reality required visual confirmation.
“What is this?” he asked, and his voice was almost a whisper.
“My office,” I said. “Sit down, Derek.”
He did not. “You’re… Vivian Ashford?”
There was no point softening it.
“Yes.”
“The Vivian Ashford?”
“The one who just withdrew from your father’s merger, yes.”