“It does,” I said. I hung it by the door where people could see it when they left—the place you look last before you carry a thing into your life.
Summer again. Evan and I took a Saturday drive to a lake that pretended it was the ocean. We sat with our shoes off and didn’t name the future. He put his hand on the small of my back the way you steady a person stepping into a boat. That was enough.
News reached me in late July that Kayla had moved into a studio with one window and was learning the geography of enough. She sent a photo of a basil plant on a sill. The caption: It’s not dead; I’m counting that as a win. I wrote back a basil recipe. She sent a picture of the finished dish with too much cheese and the grin of a person who knows there are worse crimes.
A year and a half after the text, I received a plain envelope with no return address. Inside, a photograph. Me at eight, gap-toothed, holding a birthday cake shaped like a book. On the back, a sentence in my mother’s hand: I’m learning how to love you without owning you. I put the picture in a drawer I wasn’t ready to open yet. Then I made tea and stood at the window and let the city be a city without demanding it be a metaphor.