It turns out freedom doesn’t feel like a parade most days. It feels like groceries in the fridge and paid bills and a lamp you like turning on when the sun goes. It feels like you at 11:51 p.m., not flinching when your phone lights up because the people who used to own your night have learned that your day can’t be rented.
Sometimes, when I walk home from the workshop, I pass a glass storefront where a woman my age is teaching little kids to hold violins without pinching. The sound is terrible and perfect. It reminds me that beginnings always squeak. I pull the door to my building with my elbow because my hands are full—file folders, tulips, sometimes a cake I didn’t post—and I take the stairs two at a time because my body remembers it can.
On the second anniversary of the text, I go to the cemetery early. The grass is wet; my shoes become a lesson in choosing better footwear. I kneel anyway. I lay tulips down and smooth the dirt the way you smooth a blanket over someone you love. “It’s still done,” I say. “And still being done.”
The wind does what it always does—answers in a language that feels like yes.